Thursday, 5 December 2019

Saturday service at the Hypnogogue

Chef sensei is in fine form today. Excruciatingly hungover, obsessed with his own fading youth and the moral edification of all employees at the land circle food dojo, he drops pearls of wisdom like they were confetti, asserts methods of work flow improvement that have only just crossed his mind as though they were time honoured traditions. Speaking to him I feel like novice Neo in the first matrix film, my ignorance matched only by my awe and complete respect. I am told to keep everything in the kitchen within 3 steps reach and 7 breaths contemplation. I ask him many questions when he is in this state. There is much I would know that he does not share unbidden. But on our 4th or 5th smoke break, as the dinner rush settles into a steady trickle of business, (Just enough to fuck up the fung shui of food prep, as he would say) the tenor and urgency of his advice shifts towards a differing tonal palate. Perhaps he is sobering up. Perhaps he has given up on my foolish ways. But it strikes me, as he  explains the plot of Enders Game in great detail for the third time this week, that there is a lesson for me here, somewhere in between the lines. And moments before I leave hope and return to my deep fryer, he turns his glazed, tired eyes my way and begins:

The world you see around you is like a shadow of the reality you exist in. The history you know, the stories you beleive about the past of your country, our city, of Parkside itself, is like a bad joke, accepted only as truth because it is the last thing anyone can remember being told. We speak of miracles and magic as though they were fairy tale metaphors, foggy dew through which our foremothers saw the natural world. When the truth you should be holding closest to yourself as you cower in wait of sleep is that miracles and magic are the very tools with, the raw materials from which all you see was forged and made real.

Chef sensei, what does this have to do with Enders Game?

Ha! A game indeed. From the flickering dust that you chase for your daily sustenance, to the folly of those who would think themselves mighty for keeping you in thrall, all of this is as a game played by ants on 2 square meters of land in the midst of a mighty jungle which is the fullness of our universe and the true limits of our perception. You have mastered the basic skills of prep, cleaning, service and brunch. It is time to prepare you for interdimensional travel.

Yes, chef sensei!

Tuesday, 19 November 2019

South Roncie Blues, revisited


Take a look at a picture of the intersection of queen king and roncessvalles from decades ago.

Nevermind burrito brothers or the two giant posters for jack ryan or whatever this corner essentially looks the same as it has for about a century. So what has changed?

Parkdale, eastern end and urban hub of parkside proper an whole,

so mad to imagine dozen years past, the timeslot and sledge, distance and direction travelled by yours truly, erstwhile woo- and narrate- or, with aid of little but Dufferins bus and allweather walks, not forgetting the boombox, up and down the delicate ways of these parts. Lets try to remember the curves of the so called garrison creek from springmount down to bellwoods, now shunted a few clicks east. Lets never forget our first night by the water, the bouquet you collected, snapshot of you in Sunnyside's dawning light, all moxie and matryoshka, in a Grange Shoppe, your likeness transcribed into my music notebook, somehow actually doing sweet visage justice, beyond my usual fauviste caricatures of Amicos patrons, passersbye. Tho that was where eye first caught sight of u.

Nono, lets stay the course.

Obfuscate while we're young.

Its not too late.

Was it back in the flatlands, on the first day of school, back when I was young and brilliant, sweetly naive?

Was it in Kensington, in the rain at the Boathouse, after one of my worst performances ever, that night someone stole your jacket and I tried to start stealing your heart?

Or way out west, at a cafe near the sight of my greatest art heist, never undertaken, photobombing au Magritte despite myself?

Or was it in yet another kitchen, just a rimshot from Massey hall, twigs in my hair, you at least lusting to link our lanky limbs? I just wanted to stay sober, not be alone. No idea what open field I was walking onto....


or was it at that taco party?

Unknown.

In a dream, maybe. All those dreams in between one world and another, in between death and a life you know you have to leave the same way you came to. I held your hands and tried to memorise your face, even as the home we shared began to disappear.

Maybe.

Still up and down, these dimensions etched clearer to a prairie boys inner ear than to those of this hilly Gotham, slope and grade. Is there, perhaps, no up or down in the town where Kitt's Catwoman dwells?

Or can every intersection in Parkside and beyond be defined by its  lakeward lurch? Could you close your eyes and be dropped on Sorauren, at Abell, down Dunn and simply know, sense without sight where you are on this laughable grid? Do angelic angles reveal thru themselves how every feather has its place on the breath of gods? Does a sliver describe the tree from which comes the fallen log?

Maybe.


Friday, 15 November 2019

well comeback


Stories for you.

words

For you

of course

Beee.

cuz I'm in love

Obvi

So smitten, still

Obsessed, even.

Every word that I could possibly pitch at you, with hope of cracking a chuckle, in desperate aim of bettering my status or faking my fortune in them eyes, trying to communicate some bevy of ultimately meaningless, albeit entertaining ideals, but only one practical conceit: that I simply desire to make you smile, laugh, relax; that I speak to charm your ears, allay your fears, altho these spells are spun in public, they are not meant for everyone, 

no 

only for you, my dearest darling,

unkept unspoilt unknown.


Patronising muses in old greek getup, bicameral spirits held in thrall for the beautiful and bold to breakdown, schoolyard games for millenials, watch me stake and shake it now, dusting off all those closeted bones, reporting to the world after weeks alone, freestyles flung thru the seasons without a  microphone, (no gear up here quite clear not near my dear) sans chute, cutepute, or too many of those interpersonal struts and supports either, with no retorts, contortions of self or structure, no other goals, a verbal eruption.

What I'm trying to say, if I'm saying anything, is welcome back to the blog. The tinderbox is due to be set alight, the net is ready for some of this fresh shit, raw and uncut like I'm serving it up, me kenning can-dour, unseeming, all-seeing, and u all quiet, deserving, like you'd never be silently satisfied, like I could never do in person, like the hollywood version, Rene Ricard, like endless sapphic devotees chasing eternity in weightless breadth, 12 steps whose repetitions describe the parameters of a yard, small mouth noises, resounding in signifyance just like every tragic death, pronounced afresh in iambic stretch besides: when I speak, no one believes me. When I write  it down, ppl know its true.

So here's to you, my brilliant unknown. To your trials and triumphs, your blood and bone, your kin, kith, kinder, twine. Here's to the rest of yours and mine. To all of your joys that may never be, to your sorrows inescapable, to your razor mind and childish needs, will and deeds, your throng and clique, your club and blob. That's who and how, but what? And where?

the west side of a human hive,

I walk along st Clair,

down Dufferin, Bloor,

Swansea and shore, 

the borders of what comes to me called Parkside, and there's a story.

But, nevermind, milove

Much more to come:

the spring and fall 

of Sammy D et al.

Sitting out rounds, living out of bounds, laying about to stand up tall

The tiki is my dojo now.

Farewell chef sensei,

hello barefaced youth.

Cu l8tr DD, 

Henlo dada. 

Saturday, 19 January 2019

a Sun Sun rising


Heart Lake Road runs through Brampton/Caledon,
almost halfway to Orangeville.
By tonight it will be a foot deep with snow,
far cry from the slush and soot of
downtown's westside social scene in the Big City.
Yet, here in this rolling paradise of foggy fields,
one of Toronto's most brilliant and exciting creative personalities
has taken root in the fertile soil tilled by the 88 Days of Fortune collective
currently known as Fortune Bookings and Heart Lake Records (who release the music of Yasmine, Witch Prophet and Above Top Secret),
Francesca "Sun Sun" Nocera; composer, creator, designer, performer.
Tonight, Jan. 19th (730 doors 8pm show),
as part of the Emergents II series,
at the Music Gallery's new 918 Bathurst performance space,
followed by April (of Hooded Fang and Phedre) Aliermo's equally anticipated Artemis of Colour 
(itself a multimedia set featuring "audio-responsive visuals
by Sahar Homami, performed "live" by Kat Estacio.);
Sun Sun presents a new and immersive piece for electronics,
projected visuals, and echoing voice,
offering a deeper gaze into the sound of the producer behind the music of Above Top Secret and Abstract Random,
into the visions of bold, dancing lines and colours that shimmer through and swirl about the video clips and live stage shows
that Sun Sun has contributed to over the years,
to the handmade clothing Nocera produces as sunsuncreative,
the Cosmic Cards divination deck she's designed, the countless beats and drawings, sessions and collaborations.
Echoes of the Queen West scene of the 80s, in which, punk, dub, and pop acts lived side by side,
Words spoken on the stage and the page,
of intersectional unity and community,
of musicians who could not or would not separate practice from politics, performance from art.
Echoes of womxn's voices, looping.

All this to say fuck the snow, if you're not going to a bday party or playing a gig yourself tonight, do yourself a favour and get tickets
(online at musicgallery.org)
a classy date night move and a steal at 12$ 

Culture, like brunch, birthdays, and other weekend get-togethers, persists despite the weather.
There is too much at stake, and too much happening these days, a fresh, healthy wave of talent rolls across the city, from Scarborough, Vaughan, and Eglington,
all the way down to the shores of Leslieville, Porter, and Parkdale.
A new generation of musical heavyweights, working to make the Toronto scene ever more representative 
of the strengths and beauties, the diversity and dignity
of the people of the city we live in.

Thursday, 14 December 2017

Tigerwing at Smiling Buddha Dec 17






So for the show tonight, whats your setup like?

I’m always adding and taking away elements to the live shows.  I think there’s sometimes pressure to make it look like I’m actually doing something more on stage but fuck that, if I’m spending all my waking hours 
(and sometimes dreaming hours) on this music, I’m going to push buttons and perform it how I want and don’t need to hold an instrument to communicate that.
When I do add a new piece of gear it doesn’t last long.  I’ve had drum machines, synths, various pedals and it either gets "misplaced" by Via Rail or I lose interest after a few shows.  I prefer to have my whole set up fit in two bags.  That includes the flood lights I bring to every show because sad bar lighting isn't always the most inspiring or flattering.

Upcoming shows: 
Dec 10 at handlebar
Dec. 17 at Smiling Buddha


Recent recording and collaborations

I’ve mostly been working on writing/producing a lot and making music that I actually wanna listen to and perform for people because there can be such a difference.  Before I felt like I was almost making tracks as art pieces, more poetic, which is great-music can and should offer that too, but I felt a disconnect between what I want to listen to and what I was actually outputting.  I liked the idea of the music more than the music itself and reconciling that is an ongoing process.
Collaborations-  I haven’t had many this year/ been about some necessary tunnel vision.  I’ve been looking to do a lot of visual collabs with photography or video lately; there are a handful of video treatments I’ve been mulling over for unreleased tracks that I would ideally bring other people in on to enrichen that creative process.  

Bands/music youre excited about

First of all, there will always be so much great music coming out of the city- notably, A l l i e’s new album, “Nightshade” is really special.  She made an album where you don’t want to skip any of the songs?!  And there’s more to discover with each listen.  Total magic. 

A lot of UK artists have been grabbing my attention; there’s Miink who only have one track released- “Who Are You”.  It’s probably my favourite thing I’ve heard all fall and I keep checking back to see if they’ve put out more but the mystery and the wait is even more exciting.
I just heard Col3trane’s new tape and was totally blown away. Been on repeat.  Also Coucou Chloe. She has that sexy ugly noise thing happening which I am ALL about.


Food/beverages you’re excited about

I’ve been hitting the canned Moscow mules pretty hard all fall, which is funny because I don’t even like the real thing.…lately I can’t find them at any LCBO’s though and I’ve had multiple staff be like want me to call some other stores to see?  
That feels a little extra so I haven’t taken them up on the offer.


How toronto feels this fall/winter

It finally feels appropriately cold for faux fur and dramatic layering so I'm okay with it.  Winter is such a rich time for making art because it's always dark and there's less reason to go out and be social which means you can kind of stay in an uninterrupted dream state.  It also means less FOMO when you want to stay in and work on shit because who can blame you for that when it's negative double digits and it takes twice as long to get anywhere.  Like, see ya in May.

How has moving/life changed/affected tour music making in the past year?

Like a lot of Toronto residents, I’m on my like third home in three months and am finally getting to the point where it’s like …maybe I can unpack these boxes and chill out for a bit?
I spent the past two years feeling pretty isolated and consumed by grad school and it really wore me down so I’m honestly just getting back on my feet in every sense- especially with music.  
That intense academic experience was rewarding in some ways and I’ll always have that side to me but by the end of the two years I lost all concept of why I was doing everything and forgot that any of this was supposed to be fun.  So I’m ISO fun while also being more of a hermit than I’ve ever been because I’m excited by what I’m working on.




 photos by Gabrielle Smith


Thursday, 14 September 2017

ROTARY DIAL: Tonight at the Piston!






On Sep 8, 2017 9:01 AM, "Rotary Dial" <rotarydialband@gmail.com> wrote:
Sorry this took so long! 
---

1 whats fun in toronto?
Aaron
Playing loud music with friends. Alternatively, staying home and playing videogames.

Devin
Rotary Dial!  Come see us at the Piston Sept 14 and we guarantee you'll have fun.

Shane
Fun was outlawed in the '20s.

J
I'm partial to long walks late at night around the city because there's always something going on, but it didn't really get hot enough this year. So... I'd say checking out new businesses, there's always a new brewery, or a restaurant, or a new vintage clothing place... Gotta take it all in before fun is outlawed again, like in the 20s.

2 what time is your set on sept 14?
Band
10:30 ish? We're trying this new thing where we don't make people stay up until an ungodly hour to see us, so even though I believe we're last, the show is starting relatively early.

3 what bands are u totally into rn?
Aaron
Monarch is a great Toronto band that has recently resurfaced after cloistering themselves for a recording project. Had the pleasure of sharing a bill with them with my other band at TO Lounge last month and my face was melted clean off. 

Devin
The War on Drugs, The War on Drugs and The War on Drugs. 

Shane
Skinny Puppy and Anne Murray.

J
I have recently (within the last few years) discovered that my favourite album is Key Lime Pie by Camper Van Beethoven, but as for recent and more relevance I was really, really into the set that The Rathburns did at our video release party.

4 whats fun on tv?
Aaron
Youtube videos of children falling over. 

Devin
Video games?  They are on my TV. 

Shane
The Office is fun.

J
Like Florendo, I also usually turn my TV on for YouTube, and I've been really into all the media that the McElroy brothers make. They've done a few podcasts that I love and made a TV show and also have some nerdy gaming YouTube channels. 

5 dietary restictions for the band?
Aaron
Stomach elasticity?

Devin
Some, but we make it work.

Shane
There isn't a food Florendo will not conquer.

J
Wait, are we getting taken out for dinner? But really... You won't find me in a steakhouse I guess.

6 future tour plans?
Band
We're looking to head out East in the foreseeable future. Stay tuned!

7 where / hiw can we pick up your new album?
Band
Talk to us after a show! Also, we're on Bandcamp and that's the best way to support us.
We're also on all the streaming platforms like Spotify and Apple Music so you can check us out there anytime!

8 best movie u saw this summer 
Aaron
"We Are the Best!" A Swedish indie movie about a bunch of 13 year old girls starting a punk band in the 80s. Wasn't released this summer but I just watched it then.

Devin
Baby Driver. Absolutely brilliant. Big Edgar Wright fan. 

Shane
Naked Fist

J
I don't know if this counts but this summer I finally watched The Room and it changed me.

9 favourite restaurants 
Aaron
TO Lounge, Skyline, The Steady, Banh Mi Boys, and admittedly A&W. 

Devin
As a band we tend to end up at Disgraceland. 

Shane
Anything owned by Cara Operations. 

J
I'm really into weekend brunch at D-Beatstro.

10 fave beverage
Aaron
Depending on my mood, beer, whisky, and Tahitian Treat.

Devin
I'm a beer guy.  Anything but Coors Banquet.

Shane
Beer-fee. Cof-eer.

J
Before I sing on stage: double whiskey, neat. During rehearsals: literally any kind of beer. If I'm out and feeling fancy: Old Fashioned.

Friday, 18 August 2017

The Mercy Now album release tonight @ the Horseshoe



Announcing, this friday August 18, @ the Horseshoe Tavern....

A roots rock and heavy soul
double release show featuring

The Mercy Now
Rooftop Love Club

Brenda
The Two Times
and The Electric Spoonful



“I should have brought my daughter!”
Russel Fernandes is waiting for me on Queen west at my
 weekly Mixtape party. I am 42 minutes late and have found a vcr along the way. For some reason i think of Nicole and our third date, slam dancing to the Mercy Now at the El Mocambo, just like my aunt Fiona would have done at the Ramones, except she would have knocked over a table. This is the buzz old timers told me reminded them of mescaline, that noise in the boxcar sized room of a bar formerly known as Not My Dog. These are the kind of hijinx we used to get up to, in the beginnings of the Signal. It was on the back patio that Russ insisted these were “the good old days”. He was married then, and his daughter barely toddling. His wife Tanya tended bar at NMD, and they`d run the scruffy little dive for a few years by the time i wandered in, chasing dreams in some shadow of downtown Weeniepeg, of HaMiltown, or Sault Ste Murray. Sometimes, when i see Russ play with the Mercy Now , i smash a tambourine against my hand until it hurts. I bounce around the floor saying  Hello Toronto, do u wanna dance?

Are u here tonight to rock some soul tunes and exhaust yourself in sweaty fumes of bliss and kicking off that stress to some angry rhythm and blues? 

“We're less angry now.” Russ assures me. 

Because of You is the fresh single by the band off their new, self titled album, the first release in six years. It features Russ` trademark vocals and visceral bass work, both of them raspy and relentless.  The textures are clear and crisp on this self produced LP,  with drummer Lee Rogers providing airy, swinging grooves and precision fills, and Dave Kirton deftly handling all guitar parts. 

27 hours later I find Russ near the bar at the TO Lounge, full of rage and hot to jam. What are the themes of this album? I ask him. “Rascism, death, and parenthood. We're all Dads now.”

The piano from Not My Dog can be found at the Skyline Restaurant where i work. Children come and touch it, a tactile relic of the history that their very prescence is overtaking. Parkdale is changing? Parkdale is change itself.